It remains faithful to the original API circuit designs and sound character and offers high headroom, a wide variety of inputs and input access points. Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.

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We have a complete range of the latest music recording equipment and accessories. New and second-hand at Sound Devices in the heart of western Sydney. API makes several modules to fit this rack, including the A, b, , , and c. Read more. Sonically, it offers the distinct API sound at an extremely The unit has an internal volt The API Stereo Bus Compressor allows adjustment of sonic qualities to alter the punch and tone of the stereo mix.

One of the 's notable qualities is its use of Few equalizers enjoy the respect and admiration of the coveted API A. Designed by the now-legendary Saul Walker in the late '60s, the discrete A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality Originally conceived for use in API consoles of the '60s and '70s, the is a unique device designed to accomplish tasks that no other EQ can.

Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the remains Based on API's original from the late '60s, the API b is a continuation of the EQ that played a major role in the history of music recording, but This quality allows an engineer the flexibility Originally released in the 70's, the API is a "feedback" type compressor.

An input threshold control and output make-up gain control are provided, along with an additional "Ceiling" fine-tune function which can increase gain reduction lower threshold while simultaneously raising output Antelope Audio. Aston Microphones. Audio Technica. Blackmagic Design. DBX Professional. DPA Microphones. Dynaudio Acoustics. Evo by Audient. Extreme Isolation. FMR Audio. ISP Technologies. Metric Halo Labs. Modal Electronics. Native Instruments. Planet Waves. Rupert Neve Designs. Solid State Logic.

Teenage Engineering. Toft Audio Designs. Two Notes Engineering. Ultimate Support. Universal Audio. Xtreme Stands.

Shop Brands API. Shopping Options Brands. Brands API. W Software D. Add to cart. The excels at adding warmth to a variety of signals. Recommended uses include: Warm up digital signals of all kinds


Tips & Tricks — API Vision Channel Strip

Give us a few days to get it here and heading your way. Go ahead and place your order and we will follow up with an ETA shortly. If you have a deadline then please contact us before placing the order so we can meet your expectations. With extensive signal metering, multiple balanced insert points and an output mute switch, The Channel Strip contains the best features of a large console input channel in a single rack space.


Index of /documents/studio/manuals/eq/Api 512C

We have a complete range of the latest music recording equipment and accessories. New and second-hand at Sound Devices in the heart of western Sydney. API makes several modules to fit this rack, including the A, b, , , and c. Read more.


API The Channel Strip

I say pretty much, because there are some tweaks that should please API devotees everywhere However the push-button selectors for polarity reverse, 48V phantom power, dB pad and mic input line input is the default have lost their indicator LEDs, and have been joined by a new button, intriguingly marked All buttons are now internally illuminated when active. PCB layout and component differences between the c and the v are also evident. Happily, there are still a number of full-size capacitors and resistors on view and, since these like the replacement SMDs in other parts of the audio circuitry have retained the same component numbers as their counterparts in the c, I would think that the audio path remains as true to the original as it ever was. One minor change to note is that the signed inspection label on the v has had to move from its PCB position on the c to the side of the Since the placement of the in the v seems to use up virtually every millimetre of the series hardware width specification, if that label starts lifting as it had on the review unit then it may well catch on the front panel of a neighbouring unit in the rack — especially if that particular unit is on the outer edges of the series hardware lateral tolerance.


API 512v Mic Preamp

Route microphone into a microphone preamp on the patchbay. If the microphone jack is directly above the preamp input, then you don't need a patch cable because the connection is normalled internal jumper. The outputs of the microphone preamps are normalled into pro tools inputs via the patchbay. So, no one is stopping you from patching preamps into different pro tools inputs or other effect before they get to pro tools.

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