IDR 75rb kalian sdh bisa dapatkan 2 buku ini. I know not all that may be coming, but be it what it will, I'll go to it laughing. Herman Melville, Moby-Dick. Originality leads to success! Finally felt good enough to be productive!
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By Herman Melville. Todos os que me conhecem consideram-me um homem eminentemente cuidadoso. O bom e velho cargo de conselheiro do Tribunal de Chancelaria, hoje extinto no Estado de Nova York, tinha sido a mim conferido.
Upload Sign In Join. Create a List. Download to App. Length: 65 pages 56 minutes. Related Categories. Start your free 30 days. Page 1 of 1. Starts out funny, but ends up quite moving and deep.
There's something compelling about Bartleby, his extreme composure, his unflinching yet mild refusal. There's something unnervingly inhuman about him, precisely because behind that veneer you know there is something essentially human, vulnerable, and very much like ourselves. But we are not privy to the inner life that lies behind the blank expression, and Melville wisely does not let us in on it.
It's hard not to feel sorry for both the narrator and for Bartleby as well, and the whole time I was reading it I was seeing myself assuming either role very easily, by a turn of fate or flip of coin. This one is a very intiguing book. Melville could have made a full length book with this one. It was too short and I would have love to know more about Bartleby.
This short story by Herman Melville, arguably one of the greatest authors the United States has ever produced, follows the downward trajectory of Bartleby, a strange and pale young clerk in a nineteenth-century New York law firm. Narrated by Bartleby's erstwhile employer, it records his gradual withdrawal into himself, to the point of self-destruction. Simultaneously hilarious and tragic, it has that uniquely surreal quality which is the hallmark of Melville's great works.
It is in relation to these other works that this story can best be understood, and some of Melville's great themes be appreciated. As another reviewer remarked, the story takes a very critical view of capitalism, and its effect on the soul of the wage worker.
Bartleby's slide into the "blankness of extinction" the title of a paper I wrote on this story , is precipitated in no small part by the spirit-quenching nature of his work. That Melville's critique was intentional, can be demonstrated by his similar treatment of another group of wage workers in his short story, The Tartarus of Maids.
But I think it would be a mistake to think that Melville's criticism is aimed at capitalism, in and of itself. I had a professor who always argued that one of Melville's most pervasive themes was the destructive nature of the father-son bond - the ways in which fathers destroy their sons.
This is strongly evident in another of Melville's shorter works, Billy Budd, which has many parallels to Bartleby. In this sense, I believe that although Melville is critical of capitalism, he sees the employer-employee relationship as a stand-in for pre-existing destructive patterns.
Finally, Bartleby can also be understood as an oppositional companion-piece to that continuously avant-garde masterpiece, The Confidence-Man, in which Melville seeks to work out his feelings about the limitations of communication itself.
To speak is to deceive in this novel, and the author contends that everyone is both a con-man and dupe, all at once. To seek to escape from this cycle of deception, made inevitable by the very nature of speech, is to reject one's humanity, and to self-abnegate.
More to the point, it can't be done. In this schema, Bartleby's absolutist stance in refusing to "play the game" must lead to self-destruction. I love this story.
I can think of no other work that has so moved me to laughter, even while I cried. It is a very potent distillation of Melville's genius, bitter but brilliant. Thank goodness it's a short story! I was very happy to find this edition, which presents the story by itself, in a very handsome cloth edition. Let me close my review of this brilliant work with a short personal vignette. Some years ago, while going to college and working in a bookstore, I mentioned to one of my co-workers that I was going to be taking a class on Herman Melville.
He was a plumber by trade, but was holding down this job so his disabled son could have regular health insurance. When I told him about my class, he asked if we would be reading the story Bartleby the Scrivener , to which I responded that I believed we would be. A very well-read man, he liked to take some of the English graduate students we had working there down a peg or two, and knowing him was a welcome reminder that formal education and true intelligence are not synonymous.
So, Steve, wherever you are, here's to you! Bartleby The Scrivener are a ridiculously significant modern tale from late 19th century which question morality and humanity that goes beyond the world of productivity and capitalism. As much as Melville drawing the humanism inspiration from Hawthorne in science, he did it by human ethics.
In a simpler way of generalizing this book, this is one weird crazy book. They call this book an absurdist and existentialist fiction but I find its a lot harder to round up the author easily. I genuinely prefer the discussion on this book than the book itself because the book is confusing while reading but became more clear when you've find that its filled with metaphors on some kind.
The story is narrated by a lawyer who told a story of the most peculiar person he ever met; Bartleby. He had problems regarding his scriveners, Nipper and Turkey who have their own temperament which leads to the hiring of Bartleby.
At first, he was a good and wonderful employee until one day when asked by the narrator to proofread a document, Bartleby would say "I would prefer not to". The narrator let it slide until Bartleby grew increasingly unproductive and eccentric with his repetitive that he would prefer not to do everything asked by everyone even for his own well-being that it alarmed the narrator that he tried to persuade Bartleby to give a reason why but Bartleby would say continuously, "I would prefer not to".
A scrivener is a copyist. You could say it is a modern equivalent of a xerox machine. While in this story, Bartleby became the main focus due to his persistence and curious way of conduct that frightened everyone around him. He contrasted the world the narrator lived in. His depression became so infectious that the narrator who sympathize but fear him enough that he relocated his business after failing to nudge Bartleby to any form of work or life that Bartleby caused the tenants and new occupants trouble which lands him to even worst condition.
Some would consider Bartleby as a language and by his action, he became a verbal succubus sucking emotions around him just by his verbal persistence. He can also be seen as a victim of the modernity and this degradation began from his previous employment which the narrator sadly mourn the lost of humanity in him. The novel even question about the right of the living if only the living could choose to not proliferate under productivity. It also shows how being different can be misinterpreted if not being understood and in search of knowing, the narrator found himself unwittingly empathized with Bartleby who continued to eluded him by being passive until the narrator became helpless as it destroyed Bartleby from the inside.
Maybe Bartleby aren't meant to be understood nor to be saved but the situation around him are relevant in this time to ignore the underlying clues embedded inside the novella. Even still, it alludes me. Reason for Reading: I've decided to try Melville House's Novella book club for 6 months and plan to read the two selections, the month following their arrival. Hence this is my second January read. I was not actually looking forward to this. I once tried to read "Moby Dick" and failed miserably.
I cannot recall if I've run across Melville in anthologies but if I have obviously it is not something that I've remembered. Melville's writing style is a touch difficult for me and I found this a bit difficult to get into with the first several pages long-winded.
However, this changed quite rapidly and I became quite smitten with this story and must say it was not Bartleby I was most intrigued with but the narrator. Bartleby is a most curious fellow, one who starts work in his position as a copyist, but gentlemanly refuses to do any other work by politely saying "I prefer not to. Only speaking when spoken to, this solitary man seems to always be present at work and when not working diligently is seen standing staring into space or out the window at a view of a brick wall.
His condition deteriorates until he eventually "prefers not to" work at all, leave the premises, or be let go from his position. He becomes a peculiar, perhaps mentally unbalanced, perhaps supernaturally guided what does he live upon?
However, I found my interest laying mostly with the character of the narrator, a lawyer, the Master in Chancery for the state of New York. At first impressed with his new employee's fast and diligent output of quality work, he starts to notice the man's peculiarities. When Bartleby virtually refuses to engage in any other work than copying the lawyer is flummoxed, leaving him be and making up reasons for the man's behaviour.
This is in character with the lawyer though as he has done the same with his two other employees, one who is disagreeable in the mornings, the other in the afternoons. The lawyer has learned to work around this and sympathize with the men by inventing character flaws and health reasons for their behaviour. Bartleby, however, becomes unfathomable and yet the lawyer continues to show him kindness and think the best of him. Things become intense though once the lawyer finds Bartleby in dishabille in his chambers early one morning, doors locked from the inside and the lawyer finds that he is allowing himself to walk around the block several times upon Bartleby's orders.
From this point on Bartelby becomes the one with the power and the lawyer eventually must leave his own chambers and move elsewhere to be rid of the man; this then starts a downward spiral of events for Bartleby which he can no longer control nor the lawyer's aid be accepted.
I found this story entirely intriguing and a curious look into the human condition. I honestly don't know what to make of it; what is the point or moral being made here. Even though I don't share this viewpoint, I do feel that many readers may find themselves siding with Bartelby and perhaps finding this a story of the downward drudgery of the clerical worker's monotonous plight. But I felt Bartelby went into this position with a chip on his shoulder and I see it more of a psychological tale of how the lawyer tries to help someone who obviously is in need of help both socially and mentally and yet there is only so much one can do to help another when they are unwilling to help themselves.
Entertaining and funny little story about a mysterious young clerk. It reminds me of Kafka's Metamorphosis in that an alien element is suddenly introduced in a closed completely ordered world, causing problems and distress. I thought I must have read this in my youth, but now I'm sure I would have remembered Bartleby had I encountered him before! Bartleby, employed as a lawyer's clerk, takes his passive resistance to exerting any effort to the ultimate extreme. If Bartleby were merely disinclined to work, his employer, literature's most accommodating employer, and we, the story's readers, would know what to make of him.
Bartleby, however, is not inclined to humor us in that or in any regard. To our requests that he explain or justify his behavior, accept our sympathy, or act according to convention, reason, or self-preservation, Bartleby will respond, with quiet determination, "I would prefer not to.
This very short book really a short story is so funny, until it's suddenly sad. It is about a man who begins to work for the narrator in a law office. He works well until he "prefers not to.
He has a wonderful sense of humor, but also a good sense for humanity, and kind of pull your heartstrings from both sides!
In the story, a Wall Street lawyer hires a new clerk who, after an initial bout of hard work, refuses to make copies or do any other task required of him, with the words "I would prefer not to. Numerous critical essays have been published about the story, which scholar Robert Milder describes as "unquestionably the masterpiece of the short fiction" in the Melville canon. The narrator is an elderly, unnamed Manhattan lawyer with a comfortable business in legal documents. He already employs two scriveners , Nippers and Turkey, to copy legal documents by hand, but an increase in business leads him to advertise for a third.
Herman Melville's Bartleby and the steely strength of mild rebellion
He declines to do what is asked of him over and above the basic task of copying documents. Towards the end of the story, he is discovered occupying the office at weekends. The statement juxtaposes a conditional with a negative sense, and this lends the reply its force. On the other hand, this choice and therefore expression of politeness is an illusion, for Bartleby blatantly refuses to do anything asked of him.
Bartleby, o Escriturário
Like a parable without an obvious moral, it is defiance raised to the metaphysical. The plot is easily comprehensible; the meaning utterly elusive. The narrator, an unnamed New York lawyer, takes on a new scrivener, or copyist. He has two clerks already, nicknamed Turkey and Nippers, and a junior jack-of-all-trades, a boy called Ginger Nut. Frustrated, Turkey and Nippers threaten to blacken his eye.
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