Viola Spolin November 7, — November 22, was an American theatre academic, educator and acting coach. She is considered an important innovator in 20th century American theater for creating directorial techniques to help actors to be focused in the present moment and to find choices improvisationally, as if in real life. Her book Improvisation for the Theater , which published these techniques, includes her philosophy and her teaching and coaching methods, and is considered the "bible of improvisational theater". Spolin's contributions were seminal to the improvisational theater movement in the U. She is considered to be the mother of Improvisational theater. Her work has influenced American theater, television and film by providing new tools and techniques that are now used by actors, directors and writers.
|Published (Last):||13 December 2005|
|PDF File Size:||5.6 Mb|
|ePub File Size:||8.99 Mb|
|Price:||Free* [*Free Regsitration Required]|
The stimulus to write this handbook can be traced back beyond the author's early work as drama supervisor on the Chicago WPA Recreational Project to childhood memories of delightful spontaneous "operas" that were performed at family gatherings.
Here, her uncles and aunts would "dress up" and through song and dialogue poke fun at various members of the family and their trials and predicaments with language and jobs as newcomers to America. Later, during her student days with Neva Boyd, her brothers, sisters, and friends would gather weekly to play charades used as WORD GAME in this book , literally tearing the house apart from kitchen to living room as pot covers became breastplates for Cleopatra and her handmaidens and drapes from the window became a cloak for Satan.
Using the game structure as a basis for theater training, as a means to free the child and the so-called amateur from mechanical, stilted stage behavior, she wrote an article on her observations. Working primarily with children and neighborhood adults at a settlement-house theater, she was also stimulated by the response of school audiences to her small troupe of child improvisers.
In an effort to show how the improvising game worked, her troupe asked the audience for suggestions which the players then made into scene improvisations. A writer friend who was asked to evaluate the article she wrote about these activities exclaimed, "This isn't an article--it's an outline for a book! The idea for a book was put aside until , when, after moving to California and establishing the Young Actors Company in Hollywood, the author again began experimenting with. An unknown error has occurred.
Please click the button below to reload the page. If the problem persists, please try again in a little while. No cover image. Read preview. Excerpt The stimulus to write this handbook can be traced back beyond the author's early work as drama supervisor on the Chicago WPA Recreational Project to childhood memories of delightful spontaneous "operas" that were performed at family gatherings.
Read preview Overview. Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts. The Journal of Southern History, Vol. Louis Journalism Review, Vol. Playoff Produces Drama in U. Soyinka, Wole The Columbia Encyclopedia, 6th ed.
Improvisation for the Theater
Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again.
Improvisation for the Theater: A Handbook of Teaching and Directing Techniques
This new edition of a highly acclaimed handbook, last published in and widely used by theater teachers and directors, is sure to be welcomed by members of the theater profession. Spolin, who died Viola Spolin , Paul Sills. Here is the thoroughly revised third edition of the bible of improvisational theater. Viola Spolin's improvisational techniques changed the very nature and practice of modern theater.