JOHN SCOFIELD GUITAR TRANSCRIPTIONS PDF

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John Scofield is in many ways a fantastic jazz artist. Besides having a signature tone and always coming up with new projects and collaborations he also has a very personal melodic language.

Analyzing John Scofield licks really demonstrates how he uses pentatonic scales, melodic minor and mixes this with bebop influences. John Scofield has a great very practical way to use legato in his playing.

In many ways, it is a pretty fantastic way to use a technique that makes it easier to play the lines in a way that makes the phrasing more interesting. The solo is also a great example of how half of playing a good solo on a jazz standard is about interpreting and re-harmonizing the standard chords while playing. This aspect of his playing is not that common in Jazz Guitar, but the dynamic and tonal range of John Scofield could easily be the topic of long books.

The Brad Mehldau solo is also worth studying as he is also a master at re-interpreting the harmony. This is also the first album that Scofield recorded without using his signature chorus. Check out my Patreon Page! The PDF with examples for this video is available through Patreon. If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Few artists have done what John Scofield has managed. He keeps coming up with new projects and trying out very diverse directions for his music.

Sometimes we pay more attention to Scofield the band leader than Scofield the guitarist, but he does have a very distinct and interesting style of jazz playing.

An album that features Steve Swallow and Bill Stewart. Scofields style of playing is very rhythmical and often quite sparse compared to contemporaries like Metheny and McLaughlin, but he also manages to have some melodies that are both unique and very beautiful.

Something that is not that easy in modern jazz. Satin Doll — II V approaches.

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John Scofield Guitar Transcriptions

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